How many times have you taken what you were sure was the perfect shot, only to be disappointed when reviewing your work later on the computer? There's the trashcan you didn't notice in the corner; the stranger's elbow jutting out behind your subject. And why did that tourist have to step into the frame? These image-wrecking situations are easily avoided - if you notice them before you press the shutter button.
It's easy to be so preoccupied with capturing an interesting subject set in a stunning locale that you ignore small but distracting details like the out of focus pole jutting out from the bottom of the frame. |
Photography is unique among most crafts in that more experienced practitioners often work a lot slowerthan those picking up a camera for the first time. Watch most any novice photographer as they approach a subject, hold the camera to eye level, take the picture and then move onto the next shot. A more seasoned shooter in the same situation puts a premium on trying different vantage points, re-adjusting camera settings, changing lenses, you name it.
And they are constantly evaluating and re-evaluating the scene via the viewfinder or on the LCD display. Does this process take more time? Certainly. But it's borne of an attention to detail that eliminates unwelcome surprises later on in the image review stage.
Before photographing this plaza, I took the time to ensure that the logo was centerd, the horizon level, and that there were no pedestrians entering the frame. |
Moving closer to your primary subject for a tighter shot is an obvious way to create a different composition. |
Switching to a vertical format opens up a wide range of compositional alternatives. Here, I positioned the camera so that the steps mimicked the butterfly shape of the logo... | ...while here I shot at an acute angle with the camera just inches from the wall. |
Getting down on one knee provides a vantage point distinctly different from that of a standing position. |
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